- ARRAY OF PARTICLES AFTER EFFECTS TRAPCODE UPDATE
- ARRAY OF PARTICLES AFTER EFFECTS TRAPCODE FULL
- ARRAY OF PARTICLES AFTER EFFECTS TRAPCODE PLUS
Trapcode Sound Keys 1.3, the latest version of Red Giant’s tool for generating audio-driven imagery, adds the option to isolate and visually alter the plugin’s UI elements, for use as part of the motion graphics themselves. Trapcode Form 2.1 gives the particle grid-creation tool a new square particle type while the self-explanatory Trapcode Starglow 1.7 gets a number of new presets. Updates to Trapcode Form, Starglow and Sound KeysĪ number of other tools in the suite get smaller updates.
ARRAY OF PARTICLES AFTER EFFECTS TRAPCODE PLUS
Other new features in Trapcode Shine 2.0 include new camera-aware fractal noise effects plus 35 new presets. There isn’t a separate demo for it, but you can see it briefly in the video above. Light ray generation tool Trapcode Shine gets the option to link up to After Effects 3D light, creating true 3D camera-aware rays. Trapcode Shine 2.0: create camera-aware 3D light rays Users can apply a second-pass wireframe to a mesh surface, for creating grid overlays and there are three new texture sampling modes, including options to colour polygons individually, or create smooth gradients.Īgain, performance has been boosted: Red Giant claims that rendering speed has been increased “up to 3x” in Trapcode Mir 2.0, and that VRAM management has been improved. Meshes can now be created as quads or triangles, and there are four new Fractal Distortion options for displacing a mesh surface, plus options to set the minimum and maximum displacement. Trapcode Mir, Red Giant’s plugin for generating 3D surfaces and terrains inside After Effects, also gets an update, adding the option to spiralise the mesh. Trapcode Mir 2.0: new mesh distortion and texturing options In addition, the render limit for particle systems has been increased from 20 to 30 million particles. There are also new circular and square particle types, plus an Aspect Ratio control for particles. Other new features in Particular 2.5 include Over Life graphs for fine control of particle size and opacity over time, and a new explode behaviour intended to let users create explosion effects without setting keyframes. It can also load the software’s existing sprite images, over 100 of which have been added in the update.
ARRAY OF PARTICLES AFTER EFFECTS TRAPCODE FULL
It isn’t a full node-based visual programming system, but it lets you create new effects by combining adjustable ‘blocks’, and comes with over 130 presets geared to common effects like flames, smoke and explosions. Particle effects tool Particular gets Effects Builder: a new tool for creating custom effects. Trapcode Particular 2.5: new Effects Builder system and presets It’s capable of quite a range of effects, from thread and ribbon-like forms, to lattices and 3D structures.Īs well as paths, you can generate geometry from mask shapes and the motion of 3D lights and the results can be rendered using image-based lighting and ambient occlusion, with GPU acceleration. Top of the features list is Trapcode Tao (above), a new tool for generating procedural 3D geometry along a path. Trapcode Tao: create customisable path-based geometry
ARRAY OF PARTICLES AFTER EFFECTS TRAPCODE UPDATE
Red Giant has released Trapcode Suite 13, a major update to its set of motion graphics and VFX tools for After Effects, introducing a new plugin, Trapcode Tao, and overhauling existing tools Particular, Shine and Mir.
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